Saturday, June 22, 2019

The Rolling Stones show Chicago that they're still rock's best band ever


By Tom Siebert

I have long known that Mick Jagger has a heart. The mega-rock star once sent my then-wife two dozen roses and secured us press seats for a Rolling Stones concert at Soldier Field in Chicago.

Today, Mick’s heart is making headlines around the world as the legendary Stones front man showed last night that he is fully recovered from cardiovascular surgery.

He sang, skipped, mugged, and mimed during a two-hour-plus show before more than 60,000 fans, again at the historic lakefront stadium, with the majestic Windy City skyline as his backdrop.

The rock titans tore into their opening number, “Street Fighting Man,” from the landmark 1968 album “Beggars Banquet,” as their animated lead singer triumphantly pranced and danced his way down a runway that jutted into the audience, demonstrating that he still has moves, well, like Jagger.

The roaring crowd gave him a heartfelt heaping of cheers, shouts, and fist salutes as the Stones kicked off their 2019 No Filter Tour of North America, three months after the first 14 dates were postponed while Mr. Jagger recovered from a heart-valve replacement.

The storied band was back together, and guitar heroes Keith Richards and Ron Wood––as well as genius drummer Charlie Watts­­­­­­––could not contain their joy, in an emotional performance of still-stunning songs that changed the course of music and culture.

Starting up with "Street Fighting Man" was the Stones sticking their tongues out at the Chicago radio stations that refused to play the single, after demonstrators protesting the 1968 Democratic National Convention clashed with police at nearby Grant Park.

The second number was 1967’s “Let’s Spend the Night Together,” a once-controversial Stones tune that now seemed like just an enjoy-the-evening invitation to the cross-sectional audience that spanned four generations.

“It feels pretty good,” Mr. Jagger told the enthusiastic crowd, only coyly referring to his recent health problems. “We love Chicago so much we decided to start the tour here instead of Miami.”

But it was altogether fitting that the Rolling Stones should be born again in the city that gave birth to them, when schoolmates Mick and Keith met on a train in Dartford, England, in 1961, discovering their mutual love of Chicago blues artists like Muddy Waters and Howling Wolf.

It was hard not to think of that unassuming meeting as the self-described Glimmer Twins, now in the biggest band ever, strummed acoustic guitars and sang harmony during the country satire “Dead Flowers,” from their monster hit album, 1971’s “Sticky Fingers.”

Friday night was the 38th time that they have played in the Chicago area, and the local fans, like those all over the globe, seemed to know the words to most of their songs.

But the official sing-along of the Soldier Field concert was the epic “You Can’t Always Get What You Want,” with Mick thrusting his microphone at the crowd during the chorus and Mr. Wood performing a brilliantly beautiful guitar solo.

The Stones, who were once called “the bad boys of rock and roll,” are now grandfathers. Mick and Keith, who used to drink Old Grandad whiskey on stage, now get their satisfaction from bottled water.

The showstopper of the night was “Sympathy For The Devil,” whose opening primitive drumbeat was accentuated by a hellscape of real smoke emanating from the massive stage and fake fire burning on the giant video screens, while Mick and the crowd screamed “wooh wooh” in unison.

The samba-tinged song took on mythic significance after the Stones performed it during an ill-fated free concert at the Altamont Speedway near San Francisco on Dec. 6, 1969, when Hells Angels fought with hippies and four people died, including a young black man, Meredith Hunter, who was stabbed to death.

But “Sympathy” is more historic than satanic, as it chronicles some of the worst atrocities of the 20th century. It is also illustrative of the literate lyrics of Mr. Jagger, who was a history major at the prestigious London School of Economics.

“I watched with glee while your kings and queens fought for ten decades for the gods they made,” he sang in a sparkly red shirt and tight black jeans. “I shouted out, ‘Who killed the Kennedys?’ when after all, it was you and me.”

Bass player Darryl Jones, who is an indispensable member of the Stones, was spotlighted during the haunting “Miss You,” from the Stones’ biggest-selling album, 1978’s “Some Girls.”

The band paid homage to Chicago blues with practically every number, but especially “Midnight Rambler,” a pulsating horror-show song from 1969’s classic “Let It Bleed” album, with Mick raucously playing a harmonica, while Keith and Ronnie traded distorted guitar grunges.

Mr. Richards, who has survived heroin addiction, drug busts, and brain surgery, was also warmly greeted by the Soldier Field fans, as he stood on the front stage to sing and play “Before They Make Me Run,” in which he wrote his own epitaph:

“After all is said and done, gotta move while it's still fun. Let me walk before they make me run.”

The eclectic crowd not only got what they wanted, they got what they needed: almost every one of the Stones’ classic rock standards including "Angie," “Jumping Jack Flash,” “Paint It Black,” “Start Me Up,” “Brown Sugar,” and “Honky Tonk Women,” which was performed in front of giant Picasso-meets-Andy Warhol females depicted colorfully on the jumbo stage screens.

The first encore was “Gimme Shelter,” a thunderous, earthquake of a song, whose chilling line “Rape, murder––it’s just a shot away,” was screamingly sung by Sasha Allen.

Ms. Allen led a stellar cast of backup musicians that included Chuck Leavell on keyboards and backing vocals; Karl Denson, saxophone; Tim Ries, saxophone, keyboards; Matt Clifford, keyboards, percussion, and French horn; and Bernard Fowler, percussion and backing vocals.

The finale was of course “Satisfaction,” the number one song of 1965 that propelled the English rock group to international acclaim.

A second show at Soldier Field, home of the Chicago Bears, is scheduled for Tuesday night. Then the tour will head across the continent with scheduled stops in Arizona, California, Canada, Colorado, Florida, Massachusetts, New Jersey, Pennsylvania, and Washington, D.C.––and maybe more dates added.

The No Filter Tour began in 2017 and has since grossed $238 million, with an attendance of more than 1.5 million concertgoers at 28 shows in the United Kingdom and the rest of Europe.

The Rolling Stones have racked up those kinds of stratospheric receipts many times during their decades-long career.

But even if you had never heard of them or their songs, you would have still walked out of Soldier Field on Friday night knowing that you had just seen the greatest rock and roll band in the world.

Tuesday, June 11, 2019

New documentary 'Emanuel' shows how faith and forgivness healed survivors of Charleston church shooting


By Tom Siebert

Gun massacres are a common occurrence in American life. During this year alone in the United States, there have been more than 150 shootings that caused four or more casualties, according to the nonprofit Gun Violence Archive.

When a mass shooter strikes a place of worship, however, the bullets emotionally pierce not only our hearts and minds, but ricochet straight through to our souls.

Such was the tragic case on the evening of June 17, 2015, when 21-year-old white supremacist Dylann Roof walked into Emanuel African Methodist Episcopal (AME) Church in Charleston, S.C., sat through a Bible study, then pulled out a .45-caliber semiautomatic handgun and shot to death nine black worshipers as they stood up to pray.

Last night Wheaton College hosted a screening of a brilliant new documentary about the Charleston massacre, titled "Emanuel," before an audience of more than 100 people that included students, church leaders, and members of the community.

In the film, one of the three shooting survivors describes the horrific crime. "We closed our eyes to pray," said Polly Sheppard solemnly. "That's when he lit up the room."

Another survivor, Felicia Sanders, recounts speaking to the shooter in the midst of his killing spree: "When he spoke to me, I was on the floor looking up at him from under the table. He just stopped and he said, 'Did  I shoot you yet?' And I said, 'No.' And he said, 'I'm not going to. I'm going to leave you here to tell the story."'

Ms. Sanders also tearfully recalled shielding her five-year-old granddaughter on the floor, saving the girl's life, while watching in vain as her son Tywanza was shot to death across the room. "I felt every bullet that went into him," she said, choking up.

Even more shocking than the shooting was the scene two days later when the mass murder suspect, wearing a gray-and-white jail jumpsuit as well as wrist and ankle shackles, appeared via video conference for a bail hearing in Charleston County court.

Some of the shooting survivors and victims' relatives showed up in court, where Chief Magistrate James "Skip" Gosnell, Jr., asked them if they wished to speak.

The film portrays this tense encounter with somber silhouettes of the speakers slowly moving across the screen as audio from the hearing is played.

Nadia Collier, daughter of the slain Ethel Lance, is heard saying to Mr. Roof: "I will never be able to hold her again, but I forgive you, and have mercy on your soul. You hurt me. You hurt a lot of people but God forgives you, and I forgive you."

Ms. Sanders told him: "We welcomed you Wednesday night in our Bible study. We enjoyed you. May God have mercy on you."

And Rev. Anthony Thompson, the pastor of a nearby church whose wife Myra was among those shot dead, tells the mass killer: "I forgive you. And my family forgives you. But we would like you to take this opportunity to repent. Repent. Confess. Give your life to the one who matters the most, Jesus Christ."

Filmed mostly inside the 203-year-old church, colloquially called "Mother Emanuel," and the homes of victims' relatives, the 75-minute, award-winning documentary was financially backed by Viola Davis, an Oscar-winning actress and South Carolina native; and superstar point guard Stephen Curry of the Golden State Warriors.

Director Brian Ivie ("The Drop Box") also employs the film-making technique called "cinema verite," using actual television footage that showed how the monstrous act turned downtown Charleston into a frantic, flooded mass of screaming police cars, TV news trucks, hurried EMS workers, and panicked onlookers.

In addition to reporting the terrible story in a raw, riveting way, Mr. Ivie manages to seamlessly weave into the narrative Charleston's sordid past as a slave port, South Carolina's history as the only one of the 13 colonies that had a majority black population, and Mother Emanuel's role in the civil rights movement.

The film also recounts Mr. Roof's history of hatred, which included a racist manifesto that he had written as well as photos of him waving a Confederate flag and posing before symbols of white supremacy. And he is chillingly shown entering the church on a side-door surveillance camera, his fanny pack concealing his weapon of mass destruction.

The Confederate battle banner, long a source of controversy in Southern cities such as Charleston, was removed from the grounds of the South Carolina State House within three weeks of the tragedy. Then-Gov. Nikki Haley skillfully negotiated the move with state legislators and local guardians of Civil War culture.

Mr. Roof was convicted of mass murder and hate crimes, and is now awaiting execution. He had hoped to spark a national race war, the FBI stated.

But Charleston remained calm in the aftermath of the shootings, thanks to the forgiving sentiments of the survivors, calming words of city leaders, prayer vigils of activist groups like Black Lives Matter, and presence of President Barack Obama, who led mourners in the singing of "Amazing Grace" at the funeral of the church's prominent pastor.

Most of all, the documentary honors the so-called "Charleston Nine." They were: State Sen. Clementa C. Pinckney, 41, and pastor of Mother Emanuel; Cynthia Marie Graham Hurd, 54, manager of the Charleston County Public Library system; Susie Jackson, 87, a member of the church choir; Ethel Lee Lance, 70, the church sexton; Depayne Middleton-Doctor, 49, a pastor and admissions coordinator at Southern Wesleyan University; Tywanza Sanders, 26, a member of the Bible study and grandnephew of fellow shooting victim Susie Jackson; Daniel L. Simmons, 74, a pastor who served at Greater Zion AME church in nearby Awendaw; Sharonda Coleman-Singleton, 45, a pastor, speech therapist, and track coach at Goose Creek High School; and Myra Thompson, 59, a Bible study teacher.

Perhaps the most poignant scene in the movie was the interview with Myra's husband, Rev. Thompson, in the garden that he built for his late wife behind the church. The reverend recollected not being able to touch his spouse earlier on the day she died because "God already had her." 

The film screening was followed by a question and answer session that included Rev. Sharon Risher, whose mother, two cousins, and a friend were killed in the gun tragedy. Rev. Risher said that forgiveness did not come quickly for her. "It took me two years. I was angry at God. I argued with him."

She is the author of  "For Such a Time as This: Hope and Forgiveness after the Charleston Massacre," in addition to being the spokesperson for both the Everytown Survivor Network and Moms Demand Action for Gun Sense in America.

Others on the panel were the Rev. Dr. Rob Schenck, president of the Dietrich Bonhoeffer Institute, and Dr. Jamie Aten, founder of the Humanitarian Disaster Institute.

Rev. Schenk, who ministers to elected officials in Washington, D.C., told the audience that "the church has a role to play" in the prevention of gun violence. And Dr. Aten, a psychologist, said that he was called upon to comfort the loved ones of the five workers killed and six police officers injured in the mass shooting at a manufacturing plant in Aurora last February.

Pastor Sharon noted that the Charleston shooter should not have been able to legally buy his gun, since he had been arrested four months earlier on a felony drug charge.

She asserted that mental health screenings should be included in background checks for gun purchases, and further questioned the need for assault weapons as well as the seven ammunition magazines that Mr. Roof carried with him into the church.

During the six-minute shooting, he reloaded his weapon five times with large hollow-point bullets, according to police reports.

Also appearing at the Wheaton College screening was the film's producer, John Shepherd, a Glen Ellyn native who now lives in Santa Monica, Calif. Mr. Shepherd, who has many acting and producing credits, said, "We need to start a national dialogue about gun violence."

"Emanuel" is an uplifting lesson about how to forgive the next mass shooter. But it does not tell us how to stop him. Moreover, it is too late to prevent another Charleston. Since the Mother Emanuel shootings, some of the worst gun massacres in U.S. history have occurred.

Later in 2015, 14 people were shot to death at a social services building in San Bernardino, Calif.; 49 at a nightclub in Orlando, Fla., in 2016; 27 at the First Baptist Church in Sutherland Springs, Tex., in 2017; a record 59 at a country music concert in Las Vegas, later in 2017; 17 at Marjory Stoneman Douglas High School in Parkland, Fla., in 2018; 11 at the Tree of Life synagogue in Pittsburgh, also in 2018; 12 at a bar and grill in Thousand Oaks, Calif., again in 2018; and 11 at a public works building in Virginia Beach, Va., 17 days ago.

Since 1963, nearly 1.7 million people have died from shootings in America, according to the U.S. Centers for Disease Control and Prevention (CDC). Among those shot to death were President John F. Kennedy; civil-rights leader Martin Luther King, Jr.; Senator Robert F. Kennedy of New York; and singer-songwriter John Lennon of The Beatles.

"Emanuel" will break your heart in a million tiny pieces. But the grace and goodness of the survivors will painstakingly put it back together and restore your hope for humanity.

The film will be shown nationwide in selected theaters on June 17 and June 19, the anniversaries of the shootings and court hearing, respectively.

Mr. Shepherd said that Academy Award-winning actress Charlize Theron and multiple Grammy winners Stevie Wonder and Justin Timberlake have paid in advance for two-week showings of  "Emanuel" in Los Angeles and Nashville.

The producers are currently looking for a distributor so the documentary can run longer in movie houses. They have pledged to donate all of the box-office profits to the victims' families. Those who wish to learn more about the film or contribute to the survivors fund may visit www.emanuelmovie.com.

Following the screening and discussion, Rev. Risher led the Wheaton College audience in prayer. She did not lower her eyes.

Friday, June 7, 2019

Karen Beyer, 'champion of human services," retiring as CEO of Ecker Center for Mental Health in Elgin

By Tom Siebert

Karen Beyer has a lot of abbreviations at the end of her name: CEO, MPA, MSW, and three MBAs. But her life’s work is spelled out in the improved lives of the many whom she has helped in her 53-year career in social services.

The chief executive officer of the Ecker Center for Mental Health in Elgin is retiring at the end of the month, and the homages to her are just beginning.

She was called a “champion of human services,” by Ecker board chairman Alan Kirk, in announcing a fundraising effort to ensure that members of the community facing mental health challenges will continue to receive services and support.

“In her honor, we have created the Karen Beyer Circle to acknowledge her distinguished career, the impact her work has had on our community, and to ensure that the Ecker Center will continue to provide services in the face of increasing financial challenges,” Mr. Kirk said.

Ms. Beyer began her career as a child caseworker, later serving as a therapist for Lutheran Social Services. After earning a master’s degree in social work from Loyola University, she became clinical director for the Family Service Association of the Greater Elgin Area.

She also worked for several years in private practice as a marital counselor, helping couples to resolve their differences and stay together, and if they couldn’t, preparing them for life after divorce.

In 1983, Ms. Beyer became clinical director of health and human services for Hoffman Estates. There she defended the right of privacy of a traumatized police officer in a landmark U.S. Supreme Court case, “Jaffee versus Redmond and the Village of Hoffman Estates.” She also was a pioneer for the advocacy of employee assistance programs.

After earning another master’s degree, this one in public administration from Roosevelt University, she was hired as executive director of The Larkin Center group homes in Elgin, where she increased fundraising and developed new programs.

She has served at the Ecker Center since 2000, helping steer the mental health facility through many challenges, such as the increasing number and needs of its clients as well as working within the guidelines of the 2010 Patient Protection and Affordable Care Act, colloquially known as ObamaCare.

“Karen never gives up,” asserted Victoria Gesinger, assistant clinical director at the Ecker Center.

“She has led us through so many difficult financial crises with immense state budget cuts, and the more recent crisis where there was no budget at all.”

State Rep. Anna Moeller plans to introduce in the Illinois General Assembly a resolution honoring Ms. Beyer for her many contributions for the betterment of the community, according to Ecker’s events manager Karen LeBuhn.

For more information about the Ecker Center for Mental Health, visit eckercenter.org. All donations to the Karen Beyer Circle that are received by June 25 will be recognized on her final day of work before her retirement begins.

Added Ms. Gesinger: “We have been so fortunate to have a leader such as Karen to see us through these difficult situations with little impact to client care and employees.”